By Brigette Barrager
2009
Medium: Marker and Pencil
Gravity Falls
I wouldn’t claim a character design credit on Gravity Falls, but I did get to sketch these very first versions of a few of the main characters: Dipper, Mabel, Grunkle Stan and Wendy.
Alex Hirsch was my classmate and friend from CalArts, and he was working on a show called Fish Hooks at Disney Television Animation, but the studio asked him to come up with some original ideas for a new series. The idea they liked most was one based on his own childhood summers spent with his twin sister. He was working on the pitch for it, but while he is wonderfully comfortable with storyboarding, he is not a character designer (and he will tell you this himself). He needed to begin storyboarding a pilot episode and had no designs, but he did have ideas. He asked if I could do some drawings of the four main characters and sent me descriptions of each one.
As far as I remember, it was something like this:
Dipper always wears a hat. Maybe a trucker hat? Some kind of hat to hide the birthmark on his forehead. He’s suspicious and curious for a kid and often annoyed with his silly twin sister.
Mabel is fun, optimistic, a bit wacky, and always wearing a novelty sweater. (I think he may have sent me a picture of a sweater with pigs on it, but there was no need—I knew exactly the type of 90s kids’ clothing he was referring to.)
Grunkle Stan is a weird, grumpy old man – is he an uncle? Is he a grandpa? Neither, he’s a grunkle.
Wendy is Dipper’s crush – she’s just old enough to be unattainable. She’s tall.
Again, that’s just what I remember. I’ll leave it to Alex to correct me if I’m wrong.
These first designs influenced the drawings in the pilot’s storyboard. The final designs used in the show are different, but a few elements from these first drawings made it through Mabel’s sweater shape, braces, her little slip-on shoes and socks, and Dipper’s trucker hat. Maybe a bit of Grunkle Stan’s stooped old man posture, too.
I didn’t work on the show when it went into production. My partner Sean did, though. He was a background layout artist who could tell you some behind-the-scenes STORIES about how hard it was to make such a resonant, unique cartoon. I’ve heard them all.
All visual work on this page is property of Disney.